2010 had Zac celebrating 25 years working in professional theatre. Starting at the tender age of 15 by securing for himself the sponsorship from a local firm which enabled him to work as an acting ASM for the Nottingham Playhouse where he made his acting debut in the world stage premier of Room at the Top also appearing in Mother Goose and A Majority of One. Following this he understudied the role of Gozark in the London Palladium production of Singin’ in the Rain with Tommy Steele at the Bristol and Birmingham Hippodromes, touring as far as the Shinjuku Koma Stadium in Tokyo.
On returning to the Nottingham Playhouse at 17, he landed several acting roles including: Boo Radley in To Kill a Mocking Bird and Chad Gubbins in Lark Rise as well as playing various roles in The Hobbit for the Nottingham Playhouse and two national tours. Other credits for his early work in theatre at this time include: Scripting and directing two end of season reviews, writing/presenting the Family Fun Day Technical presentation, Technical Stage Manager with the Roundabout TIE Company touring Nottinghamshire schools with projects such as Frankie’s Friends, Commonlore Storytellersand The Aboriginal and Islander Dance Theatreof Australia; Sponsorship Co-ordinator and Assistant Director to Kenneth Alan Taylor for Jack and the Beanstalk. The next two decades saw his continuation within the industry.
Film, radio and television credits include: on-screen presenter in Somewhere beginning with N… (Nottingham’s Tourist Information Film), A very Peculiar Practice (BBC), The Bill (Thames), Hard Cases and The Next Step (Central Television). Directing includes Under Milk Wood (Works Outing Theatre Company).
Directing credits include: Assistant Director to Alan Cohen on eight opera’s performed at Queen Elizabeth Hall (National Opera Studio). Assistant Director at at the Crucible Theatre Sheffield to Michael Rudman on Hamlet and Mansfield Park; Tim Luscombe on Oliver, and to Alan Cohen on Peter Pan, the combination of which resulted in Zac being shortlisted for a position as a Staff Director for the National Theatre. Director: Merlin’s Missing Magic (South Yorkshire Community Touring Pantomime) and Poetry for the Sheffield Literary Festival.
Other credits include: Stage Management and Lighting Designer on various touring shows (Works Outing Theatre Company); Artistic Director and writer for Viva Mania (Viva Youth Theatre); Drama teacher (The River Leen School) and as Head of Drama where he directed internal and external performances productions such as Hairspray, A Slice of Saturday Night, The Positive Hour and Pravda (Midlands Academy of Dance and Drama).
The past 36 months has seen Zac continue his eclectic career by touring the UK & Ireland as Tour Manager with Strauss Gala and Over the Rainbow; the Eva Cassidy story with Faye Tozer (Theatre Productions); touring the United Kingdom and Ireland with The Importance of Being Oscar (Original Theatre Company). Playing the dastardly Captain Hook in Peter Pan (Little Theatre Sherringham); As Director for Jane Austen’s Emma (Heartbreak Productions); Company Stage Manager for Cinderella (Palace Theatre Newark); Snow White (Marina Theatre Lowestoft); Stage Manager for Othello and the highly acclaimed Journey’s End, in which he also played the role of the Company Sergeant Major (Icarus Theatre Collective / Original Theatre Company). In 2010 he was shortlisted for the Stage Management Associations Individual Award in recognition of his work on Journeys End and has just finished treading the boards as Lord Thurlow in The Madness of King George III for its 2010 autumn tour with Simon Ward. 2011 has seen him touring the UK with Dancing at Lughnasa as Company Stage Manager and understudy for Daragh O'Mally. Outside of the theatre, Zac has a keen interest in gardening and still resides in Nottinghamshire with his wife Tracey and their three sons Sam (also working on this production), Nikolas & Tyler.
Enter your details to receive free tickets and info on upcoming shows




Stiri.Acasa.ro
edfringe.com
Curierul National
Realitatea.net
The Lesson Eugène Ionesco
or better
in 15 of 17 reviews
Out of all productions with a star rating in the last 3 years:
or better
in 20 of 22 reviews
The Lesson Eugène Ionesco
"Max Lewendel's production succeeds by the strength of its acting and the steadily increasing tension."
Jeremy Kingston, The Times




The Lesson Eugène Ionesco
"Directed so specifically that the beast of chaos that charges through Ionesco's work like his own rhinoceros is safely routed through the play."
Rebecca Banks, Ham & High




The Lesson Eugène Ionesco
"A daring production by an energetic new company, the London-based Icarus Theatre Collective, it pulls no punches in its visceral pursuit of pure absurdism."
Daniel Lombard,
South Wales Argus




The Lesson Eugène Ionesco
Premiul special al juriului
Special Jury Prize:
Cash prize from Romania
The Lesson Eugène Ionesco
Premiul pentru cea mai buna actrita ín rol principal
Best Actress in a Leading
Role: Amy Loughton
Coyote Ugly by Lynn Siefert
"Scarlet, a wild 12-year-old, like a coyote bitch on heat".
John Thaxter, What's On




Macbeth
by William Shakespeare
Remotegoat
Carrick Biz
Three Weeks
Journey's End
by R.C. Sherriff
The Times
The Scotsman
Manchester Eve News
Macbeth
by William Shakespeare
With sword, axe, spear and bare fist fighting it is an impressively energetic and dynamic production.
Victoria Claringbold, Remotegoat





Coyote Ugly by Lynn Siefert
"The five-member cast fill the dim confines of the theatre like a desert storm".
Le Roux Schoeman,
Church of England Newsletter
Coyote Ugly by Lynn Siefert
"This sexy, steamy drama really hits home, especially after delivering the scorpion sting in its tail".
Philip Fisher,
British Theatre Guide
The Lesson Eugène Ionesco
"Comedy, tragedy, fear, mystery, sex, violence, disturbance: The Lesson has them all".
Eleanor Weber,
Raddest Right Now
The Lesson Eugène Ionesco
"It is impossible not to enjoy Icarus Theatre Collective’s production of Ionesco’s one-act play".
The Stage
Coyote Ugly by Lynn Siefert
"The cast navigates the perilous emotional terrain with aplomb".
Visit London (Totally London)
Coyote Ugly by Lynn Siefert
"Sizzling bursts of desire and hate among the North American sands".
Timothy Ramsden,
Reviews Gate
Albert's Boy
by James Graham
"Extraordinary...
Victor Spinetti is outstanding."
Cheryl Freedman,
What's On in London
The Lesson Eugène Ionesco
"The Icarus Theatre collective's production of Eugène Ionesco's absurdist masterpiece is brilliant. A fast-paced, sixty-five minute screaming journey from a bare classroom into utter chaos."
Kevin Hurst, Extra! Extra!
Many Roads to Paradise
by Stewart Permutt
"You would pay a lot of money in the West End for a class act like this, so why not pop along to the Finborough and find out what great nights are made of."
Gene David Kirk,
UK Theatre Web




The Time of Your Life
William Saroyan
"Book as soon as possible!"
-Claire Ingrams,
Rogues & Vagabonds
The Time of Your Life
William Saroyan
"This is the kind of consoling play we need right now."
-Jane Edwardes, Time Out
The Time of Your Life
William Saroyan
"Fine performances from the 26-strong cast."
-Michael Billington, The Guardian
The Lesson Eugène Ionesco
"You can reach out and touch the emotional atmosphere."
-Julienne Banister,
Rogues & Vagabonds
Site Design by cherrybranchdesign.com © 2008