Julius Caesar

By William Shakespeare
Directed by Max Lewendel

Julius Caesar. A divisive leader who holds awesome power.

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Book TicketsInfo for Theatres
The Cast

About

Strikingly Original

What is sparking dark omens and plots to overthrow the conquering hero? And what will be the result if he is brought down?

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Join Icarus Theatre Collective as we inject fresh relevance into Shakespeare’s political thriller by setting it in the near future. We use digital screens and creative graphics to underscore the parallels between the schemers of Ancient Rome, the turmoil of Shakespeare’s England, and the power of fake news to destroy our world today.

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Creative Captioning for all performances.

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All in original verse.

Running time: 2h10m including 20min interval

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With a generous grant from Arts Council England, we are integrating Creative Captioning as a complete design element, building on our success in The Lesson.

Neil McEwan

"If this is what comes from flying too close to the sun,

then long may they continue"

Marketing information

Neil McEwan

"If this is what comes from flying too close to the sun,

then long may they continue"

Venues click here

Creative Team

‍Director: Max Lewendel
Producer: Elise Williamson
Deaf Associate Director: William Grint

Designer: Flavio Graff
‍Video Design: Will Monks
Filming by: Luca Rudlin
Captioners: Joe D'Souza, Scarlett
Animation: Edalia Day, Nick Laws
Additional Animation by: Virginie Taylor, Liudmila Petrova
Video Design Apprentice: Isaac Jenkinson
Sound & Music: Theo Holloway
Co-Sound Designer: Lex Kosanke

Touring Production Manager: Zoe Smith
Stage Manager: Oran O'Neill, Tamasin CookFight Director: Ronin Traynor
Assistant Director: Fran Olivares
Intimacy Coordinator: Lex Kaby
Vocal Coach: Suzy Kohane
Deaf AwarenessTrainer: Nadeem Islam
Casting Assistant: Isabella Sperotto
‍Costume Supervisors: Jasper Lin and Cat Duncan
Makeup Artist: Ziggy Gaji
Trailer Director and DOP for film: Luca Rudlin, Pete
Editor and Director for film: Pete Hall
‍Runner and Crew: Kaleem Ali
Graphic Designer: David Catterall
‍Photographer: TBC

Cast

Jonathan Blaydon: Cinna, Octavius
Eleanor Crosswell: Trebonius, Calphurnia
Sarah Griffin: Metellus, Portia
James Heatlie: Mark Antony
Lindsey Huebner: Casca
William Travis: Julius Caesar
Michael Skellern: Cassius
Rowan Winter: Brutus

Isabella Colby-Browne: Caius Ligarius/ASM
Grace Cherry: Cinna the Poet
Angus Dunican: Marullus

The Mob: Aimee Louise Bevan, Kitty Delvin, Anthony Harwood, Andrew Hislop, Fran Olivares, Lee Peck, Gemma Reynolds, Constanza Ruff, Dita Tantang, Sarah Warren

R&D Cast

Eleanor Crosswell: Lucius, Metellus Cimber, Soldier 1
Sophie Brooke: Cinna, Soldier
Kaiden Dubois: Octavius, Caius Ligarius, Marullus
James Heatlie: Mark Antony
Andrew Hislop: Cassius
Lindsey Huebner: Casca, Lepidus, Soldier
Caroline Parker: Trebonius, Soldier 2
Rowan Winter: Brutus

R&D Creative Team

‍Director: Max Lewendel
Producer: Elise Williamson

Set Designer: Flavio Graff
‍Sound Design: Theo Holloway
Video Design: Will Monks & Virginie Taylor
Video Assistants: Joe
Creative Captioning Consultant: Ben Glover

Deaf Consultant Theatre Director: Zoë McWhinney
Stage Manager: Simão VazAssistant Director: Fran Olivares
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Special Thanks to: Charlotte McCabe and Graeae Theatre Company

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Reviews

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What does our Community say?

Read our reviews over 24 productions

Trial of Galileo

RemoteGoat

★★★★★
"Icarus Theatre fly into London on waxen wings, which, after this compelling production, show no sign of melting any time soon, A fine production, and a fantastic example of a writer and performer at the top of their game".

How to be a Bad Girl

Deadline News

★★★★
"Chap's cheeky, witty and bold personality shines through as she sings the stories of her own life, and sometimes others - all with wonderful vocal ability and tone that excites and engages the mixed crowd that packed in to the room to see her."
Lucy Samson

Macbeth

Carrick Biz

★★★★
"Five Stars alone are due to the designers of the simple set and the expressive mood-setting lighting and sound. You'll find out what a bane-moon looks like."
David Kerr

Hamlet

Review Sphere

[Their] adaptation truly had rebranded Hamlet for the Game of Thrones age. It was daring and experimental and often risky, but it worked and proved that it is indeed a living and ever fluid piece of literature"
Caroline Malcolm Boulton

Trial of Galileo

RemoteGoat

"Icarus Theatre fly into London on waxen wings, which, after this compelling production, show no sign of melting any time soon, A fine production, and a fantastic example of a writer and performer at the top of their game".

How to be a Bad Girl

Deadline News

"Chap's cheeky, witty and bold personality shines through as she sings the stories of her own life, and sometimes others - all with wonderful vocal ability and tone that excites and engages the mixed crowd that packed in to the room to see her." Lucy Samson

Macbeth

Carrick Biz

"Five Stars alone are due to the designers of the simple set and the expressive mood-setting lighting and sound. You'll find out what a bane-moon looks like." David Kerr

Hamlet

Review Sphere

Icarus Theatre Collective's adaptation truly had rebranded Hamlet for the Game of Thrones age. It was daring and experimental and often risky, but it worked and proved that it is indeed a living and ever fluid piece of literature." Caroline Malcolm Boulton

Many Roads to Paradise

Uk Theatre Web

★★★★★
"For many reason this play should be seen by everyone. Drama students and theatre-lovers alike will applaud fine acting by the strongest of casts, you would pay a lot of money in the West End for a class act like this"
Gene David Kirk

Journeys End

The Public Reviews

★★★★
"Journey’s End’ is very much an ensemble piece and it would be difficult and probably rather unfair to pick out one actor over another. Each and every performance is consummately delivered." Steve Burbridge

At the Mountains of Madness

Ija Pona

★★★★★
"We were treated to a show that was true to the H. P. Lovecraft original and made the hair stand up on the back of my neck. I experienced frisson during last night."

Romeo & Juliet

British Theatre Guide

★★★★
Max Lewendel’s careful direction makes perfect sense of the tricky text, finding as much humour as possible in the early comic scenes. He keeps his actors on the move, each with purpose and justified intention.
Helen Brown

Many Roads to Paradise

Uk Theatre Web

★★★★★
"For many reason this play should be seen by everyone. Drama students and theatre-lovers alike will applaud fine acting by the strongest of casts, you would pay a lot of money in the West End for a class act like this"
Gene David Kirk

Journeys End

The Public Reviews

★★★★
"Journey’s End’ is very much an ensemble piece and it would be difficult and probably rather unfair to pick out one actor over another. Each and every performance is consummately delivered." Steve Burbridge

At the Mountains of Madness

Ija Pona

★★★★★
"We were treated to a show that was true to the H. P. Lovecraft original and made the hair stand up on the back of my neck. I experienced frisson during last night."

Romeo & Juliet

British Theatre Guide

★★★★
Max Lewendel’s careful direction makes perfect sense of the tricky text, finding as much humour as possible in the early comic scenes. He keeps his actors on the move, each with purpose and justified intention.
Helen Brown