Macbeth 2011 - 2012

Written by William Shakespeare
Starring Joel Gorf as Macbeth
A co-production with King's Theatre, Southsea in association with South Hill Park Arts Centre

This slick production is perfect for audiences new to Macbeth and those already well acquainted with Shakespeare’s tragedies.

The Cast

About

Something wicked this way comes...

The vicious, barbaric undercurrent in Shakespeare's most fear-filled tragedy erupts in this kinetic, blood-thirsty production.

Unrivalled on the battlefield, Macbeth is rewarded with rank and favour by a grateful king. But war has left scars. With each enemy Macbeth butchers to serve his own vaulting ambition, his lust for power takes a more menacing grip. Spectres slaughtered on the battlefield drip poison in his ear, and passions erupt as he ferociously seizes the throne. But, violence breeds violence, and a reign born in blood quickly spirals out of control as Macbeth's demons return to destroy him.

Set in the 11th century and culminating in an epic battle filled with revenge, justice, and beheadings, Icarus blends traditional and physical theatre and brings vividly to life some of literature's most vibrant language and characters


Neil McEwan

"If this is what comes from flying too close to the sun,

then long may they continue"

Marketing information

Neil McEwan

"If this is what comes from flying too close to the sun,

then long may they continue"

Venues click here

Creative Team

Director: Max Lewendel
Assistant Directors: Mary Taylor & Miztli Cadena Neville
Movement Director: Carrie Meuller
Fight Director: Ronin Traynor
Historical & Military Advisor: Tony Green
Production Coordinator: Meg Jones
Set Designer: Mayou Trikerioti
Costume Designer: Lauren Pratt
Sound Designer: Theo Holloway
Lighting Designer: Zachary Holton
Assoc Set Design: Marouso Marinopoulou
CSM: Zachary Holton
DSM: Sam Holton
Assistant Producer: Saba Burali
Photographer: James Oaten

Cast:

Macbeth: Joel Gorf
Lady Macbeth: Sophie Brooke
Lady Macduff: Emma Carter
Macduff: Richard Maxted
Banquo: Matthew Bloxham, John Eastman
Malcolm: Kaiden Dubois, Richard Hay
Duncan: Zachary Holton

More Information

Icarus takes on this challenging and daunting play with a nine-person cast in a riveting and refreshing style. This will be clear, kinetic, and accessible, perfect for newcomers to the bard as well as aficianados of Shakespearean language.

Rich, gothic designs inspired by the nightmares of Edgar Alan Poe supported by high production values bring this production to audiences across the UK.

Free programmes for school groups
(normally £2 - £5)

Each production can be accompanied by a full array of workshops and curricular activities.

Reviews

Click here to read more reviews

Keith D, Edinburgh Spotlight

"Traditional and fast-paced, Icarus should be commended"

Damien Bullen, Damowords

"Opening with a dramatic sword fight on a darkened set with a full moon shining down on the actors, and immediately we are transported into the world of Shakespeare".

Emily Buxton, About My Area

"Atmospheric depth is brought to Max Lewendel's production through the highly effective use of red lightening scars".

Current Tour Schedule

What does our Community say?

Read our reviews over 24 productions

Trial of Galileo

RemoteGoat

★★★★★
"Icarus Theatre fly into London on waxen wings, which, after this compelling production, show no sign of melting any time soon, A fine production, and a fantastic example of a writer and performer at the top of their game".

How to be a Bad Girl

Deadline News

★★★★
"Chap's cheeky, witty and bold personality shines through as she sings the stories of her own life, and sometimes others - all with wonderful vocal ability and tone that excites and engages the mixed crowd that packed in to the room to see her."
Lucy Samson

Macbeth

Carrick Biz

★★★★
"Five Stars alone are due to the designers of the simple set and the expressive mood-setting lighting and sound. You'll find out what a bane-moon looks like."
David Kerr

Hamlet

Review Sphere

[Their] adaptation truly had rebranded Hamlet for the Game of Thrones age. It was daring and experimental and often risky, but it worked and proved that it is indeed a living and ever fluid piece of literature"
Caroline Malcolm Boulton

Trial of Galileo

RemoteGoat

"Icarus Theatre fly into London on waxen wings, which, after this compelling production, show no sign of melting any time soon, A fine production, and a fantastic example of a writer and performer at the top of their game".

How to be a Bad Girl

Deadline News

"Chap's cheeky, witty and bold personality shines through as she sings the stories of her own life, and sometimes others - all with wonderful vocal ability and tone that excites and engages the mixed crowd that packed in to the room to see her." Lucy Samson

Macbeth

Carrick Biz

"Five Stars alone are due to the designers of the simple set and the expressive mood-setting lighting and sound. You'll find out what a bane-moon looks like." David Kerr

Hamlet

Review Sphere

Icarus Theatre Collective's adaptation truly had rebranded Hamlet for the Game of Thrones age. It was daring and experimental and often risky, but it worked and proved that it is indeed a living and ever fluid piece of literature." Caroline Malcolm Boulton

Many Roads to Paradise

Uk Theatre Web

★★★★★
"For many reason this play should be seen by everyone. Drama students and theatre-lovers alike will applaud fine acting by the strongest of casts, you would pay a lot of money in the West End for a class act like this"
Gene David Kirk

Journeys End

The Public Reviews

★★★★
"Journey’s End’ is very much an ensemble piece and it would be difficult and probably rather unfair to pick out one actor over another. Each and every performance is consummately delivered." Steve Burbridge

At the Mountains of Madness

Ija Pona

★★★★★
"We were treated to a show that was true to the H. P. Lovecraft original and made the hair stand up on the back of my neck. I experienced frisson during last night."

Romeo & Juliet

British Theatre Guide

★★★★
Max Lewendel’s careful direction makes perfect sense of the tricky text, finding as much humour as possible in the early comic scenes. He keeps his actors on the move, each with purpose and justified intention.
Helen Brown

Many Roads to Paradise

Uk Theatre Web

★★★★★
"For many reason this play should be seen by everyone. Drama students and theatre-lovers alike will applaud fine acting by the strongest of casts, you would pay a lot of money in the West End for a class act like this"
Gene David Kirk

Journeys End

The Public Reviews

★★★★
"Journey’s End’ is very much an ensemble piece and it would be difficult and probably rather unfair to pick out one actor over another. Each and every performance is consummately delivered." Steve Burbridge

At the Mountains of Madness

Ija Pona

★★★★★
"We were treated to a show that was true to the H. P. Lovecraft original and made the hair stand up on the back of my neck. I experienced frisson during last night."

Romeo & Juliet

British Theatre Guide

★★★★
Max Lewendel’s careful direction makes perfect sense of the tricky text, finding as much humour as possible in the early comic scenes. He keeps his actors on the move, each with purpose and justified intention.
Helen Brown